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The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...