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It has long been recognized that vacuum tubes impart a unique 'warmth' and 'musicality' to an audio signal, but many of the 'classic' tube equalizers fall short of the technical performance demanded in today's digital recording age. Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the 1961 Vacuum Tube Equalizer combines low noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalization possessing u...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...