Signal processing

DBX DJDI 2 channel passive direct box The direct DJDI box allows the conversion of asymmetrical signals into symmetrical 2-channel, ideal for equipment such as mixers, consoles, etc ... Its variable input signal level attenuator allows its perfect adaptation to a wide range from sources. Its passive design ensures colorless conversion and use without power. 2 channels 2 1/4 "mono jack inputs 50 kOhm 2 balanced outputs on XLR, galvanic isolation, 600 ohms...

The Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a digital, computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a micr...

The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices. We took our legendary Tube MP series and updated every aspect of the design, inside and out, while still maintaining a compact, reliable, cost effective product, and added a USB output. From the new all-aluminum stackable chassis to the precision LED level metering circuitry, we ...

Single Channel Tube Mic Preamplifier. The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus' award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes. PRESONUS...

Based on the award winning BlueMax compressor design, the COMP16 is the simplest professional quality compressor in the world. Sixteen presets have been carefully tailored for a wide range of applications including vocals, percussion, fretted instruments, keyboards, stereo program material and compression effects. Simply select the preset and adjust the input and output to desired level of compression. Finally a great-sounding compressor that anyone can use! Presonus COMP16 feature...

The new KAOSS PAD that fits in your pocket --- the mini-KP, offering touch-pad effects for all types of music. Korg mini-KP features ▪ Intuitive touch-pad interface gives you fingertip effect control in real-time ▪ The smallest body in the KAOSS PAD series ▪ Battery operation and a carrying strap make it an ideal choice for any scene ...

The Tube MP Studio V3 single channel mic pre features ART's new V3 (Variable Valve Voicing) Technology -- found only in ART microphone preamplification systems. V3 provides optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry's top studio and live-sound engineers, along with our veteran engineering department. V3 allows you to select between a multitude of preamp settings designed for guitars (electric and acoustic)...

- Touchpad on two axes. - 100 tones. - Functions Scale Gate Arp. and Loop Recorder. - RCA line inputs, audio and headphone output. - Dimensions: 106 (W) x 129 (D) x 29 (H) mm. - Weight: 154 g (without batteries). - Optional power supply: Korg KA199...

The MidiVerb™ 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. The MidiVerb 4 offers 18 bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. ...

Based on the M-Audio® preamplifier technology that won Pro Audio Review’s highest accolades, the DMP3 preamp is designed to provide a premium front end for today’s high-resolution digital recording systems. It features an amazing 20Hz to 80kHz frequency response, 67dB of gain and an exceptional dynamic range to capture all the nuances of your music. With pristine sound quality and a compact, rugged chassis, DMP3 has become the top choice of numerous audio professionals and a fixture in studios a...

The new BLUETUBE DP two channel microphone/instrument preamplifier with Dual Path technology delivers the best of both worlds offering a solid state preamplifier stage and a tube preamplifier stage in each channel. This new Dual Path feature delivers the most flexible preamplifier in its price range by delivering both fat warm tube tone or invisible solid state transparency. The BLUETUBE DP replaces the original award-winning BLUETUBE as PreSonus' most affordable two-channel microphone/instrumen...

TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb an...

Legendary Lexicon reverb algorithms (such as halls, chambers, plates, etc ...) Time (tap-delay) and modulation effects Lexicon Dbx dynamics algorithms Thomann Dual-processor design Architecture plug-in via VST format USB interface for Mac and PC Two effects simultaneously Digital S / PDIF interface - 24-bit 44.1/48 kHz Analog input and output jack 6.3 mm MIDI interface Comes with software MX-Edit editor / library Format 19 "1U. Depth 12 cm...

Characteristics • Inputs and outputs on XLR or Jack 6.35, symmetrical or asymmetrical , adjustment + 4 / -10 dB • Side Chain system for weighting the dynamic frequency ( requires an optional equalizer) • Gate: - Threshold Adjustment 0-15 dBu - Adjusting the release time - Weightings frequencies (requires external equalizer) • Compressor: - Threshold adjustment from - 40 to +20 dB - Compression ratio of 1/1 to infinite / 1 - 2 compression modes : Soft and...

Our revolutionary MX200 and MX400 changed everything. The great sound of a hardware Lexicon reverb — plus the ability to put that power to work as part of your DAW workflow via PC VST® and Mac® AU plug-ins. Now we’ve packed a significant portion of the MX400’s feature set into the ultra-affordable MX300. All parameters of every reverb, delay and dynamic effect in this powerhouse processor are available inside any PC VST® or Macintosh® AU compatible DAW program. Just link your computer...

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, hug...

Digital Preamplifier System. The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL? (Output Protection Limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3? (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) ...

The EUREKA Pro Recording Channel. The Eureka is a professional recording channel strip containing a discrete class A transformer-coupled microphone preamplifier, compressor, and three-band parametric equalizer. The microphone preamplifier features variable input impedance so that the Eureka can be matched and "tuned" for all types of microphones and recording applications. The Class A transformer-coupled microphone preamplifier also features "SATURATE" which adjusts the drain current ...

Liquid Mix (Mac OSX Version) is now shipping worldwide. Meanwhile, delivery of the PC version has been brought forward to late September 2006. In addition, the final list of forty compressor and twenty EQ emulations can be viewed online at www.focusrite.com/liquidmixdownloads. The Liquid Mix emulations have been under construction for over two years, with some emulations requiring more than 8000 separate sampling sequences, taken over a period of months to ensure genuine emulation; he...

XL version with XLR I/O. You want the rich, luscious sound that's defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program...without bogging down your CPU or resorting to expensive processing cards. Have it all with the MX400 XL. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any VST® or AU...

Sixteen Channel Liquid Firewire Mix Processor Liquid Mix 16 is the latest product in Focusrite’s award-winning Liquid range, bringing the power of Liquid Mix to an even wider audience. Combining the same pool of classic EQ and Compressor emulations with a killer control surface, Liquid Mix 16 brings the sound of the obsolete, the priceless and the historically significant, within reach of even the most modest studio owner. Each of the sixteen mono channels provides C...

8-channel Preamp and A/D converter with ADAT Lightpipe. The 8-channel Octane preamp is specifically designed to enhance the front end of any multitrack digital recording system. Its award-winning M-Audio preamp technology delivers pristine digital signals to any Lightpipe-compatible devices such as hard disk recorders and digital mixers. Octane is ideal for miking drum kits or bands?and the two mic/instrument channels are great for guitar, bass and other instruments. M-S matrix encoding let...

June 2003 sees the launch of the Platinum TwinTrak Pro, the latest innovative member of the award-winning Focusrite Platinum range. Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis. Each channel features Focusrite's award-winning Platinum pre amp, embellished with...

Digital Graphic EQ 2 x 31 bands In this new series of iEQ graphic correctors, dbx has integrated more than 30 years of experience in the field of graphics correction. In addition to displaying unusual frequency correction specifications, the IEQ15 and IEQ31 offer new integrated features such as AFS ™ feedback suppression, Type V ™ noise reduction and PeakStopPlus limiter ™. Frequency band 2/3 or 1/3 octave Q constant Working range +/- 6 dB or +/- 15 dB Low cut filter a...

The ACP88 gives you total dynamics control for multi-tracking and live sound reinforcement. Eight compressor/limiters deliver transparent dynamics control. Eight full featured gates seamlessly control unwanted noise and bleed-through. Control vocals, tame drums, protect speakers, tighten the low-end ? all from just two rack spaces of powerful processing. Presonus ACP88 features ▪ Eight Full Featured Compressor/Limiters ...

The Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment. Quite simply, The Liquid Channel is every mic-pre and compressor combination in history, inside a single 192kHz 2U device. This is achieved through a unique two-part process. Firstly, the use of dynamic convolution techniques is applied, utilising lightening fast SHARC chips applying unique level-dependan...

Four classic microphone pre-amplifiers and high-quality A-D conversion. Focusrite ISA428 Pre Pack features ▪ Four ISA-series transformer-based pre-amps: The benefits of Focusrite’s classic pre-amp topology include superb common-mode rejection, an excellent overload margin, an extremely low noise floor and super-wide bandwidth ▪ Dedicated analogue insert points: Switchable insert points are also feat...

The ADL 600 is a high voltage two-channel original microphone preamplifier designed by world-renown analog tube circuit designer Anthony DeMaria. The ADL 600 utilizes a unique high voltage, Class A discrete design with three vacuum tubes per channel for maximum headroom and tonality. The ADL 600 is built by hand in the USA by PreSonus and utilizes the finest components in the world including switched attenuators, military-grade vacuum tubes, analog VU and LED meters, custom-designed proprietary ...

BOSE PRO CSP-1248 commercial sound processor Product Overview The DSP for quick-turn installations — the Bose CSP-1248 commercial sound processor is part of a comprehensive platform that includes loudspeakers, controls, and software that help installers deliver premium sound systems efficiently. An onboard CSP configuration utility and intuitive browser-based UI provide a quick-setup workflow. Common tasks are presented in a logical manner...

BOSE PRO ControlSpace ESP-1240A engineered sound processor Product Overview An open-architecture DSP, the Bose ControlSpace ESP-1240A engineered sound processor is designed for a wide variety of applications — from small, self-contained projects to large, networked systems. It features 12x4 analog audio I/O, a Bose AmpLink output, and advanced digital signal processing with 48 kHz/24-bit audio conversion. Engineered for precise performance, the Co...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

Product Overview The Bose® ControlSpace® ESP-1240 engineered sound processor is an open-architecture DSP with 12x4 fixed analog audio, built-in 8-channel ESPLink output and a rearpanel digital expansion slot offering IP-based network audio and control card options. This model meets today’s strict requirements for high-quality signal processing and control in a cost-effective package. The ESP-1240 is designed for a wide variety of applications ranging from small sel...

Technical Specifications Integrated DSP Signal Processor 32-bit fixed/floating-point DSP + ARM, 456 MHz Maximum Calculation 3.6 GIPS / 2.7 GFLOPS Delay 43 s Audio Latency 860 μs (analog in to analog out) A/D and D/A Converters 24-bit Sample Rate 48 kHz Audio Performance Specifications Frequency Response 20 Hz - 20 kHz (+0.3 dB/-0.1 dB) THD+N 0.002 % at +4 dBu (A-weighted/20 Hz – 20 kHz) Channel Separation (Crosstalk) < -105 dB at +4 dBu input and ou...

Focusrite's LIQUID4PRE four-channel microphone preamplifier utilises The Liquid ChannelTM's proven Liquid technology, marrying a hugely flexible analogue front end with cutting-edge dynamic convolution DSP to deliver the sounds of 40 vintage and classic microphone preamplifiers across all four channels. Augmented by fully digital controls and remote software control over Ethernet, LIQUID4PRE provides the ultimate fluid multi-channel front-end. Focusrite LIQUID4PRE features ...

Lexicon breaks down the walls between hardware and software with a versatile new processor featuring: ▪ DAW automation ▪ FireWire streaming ▪ Unrivalled collection of new and legendary ▪ Lexicon reverbs and effects Connectivity options include two channels XLR analog, two channels XLR AES/EBU digital I/O – plus MIDI, Word...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...

The wide dynamic range of high-resolution digital recording has remained largely unexploited simply because pre-amplifier technology cannot deliver an equivalent dynamic range. More significantly, limited headroom pre-amplifiers may also degrade or "squash" the dynamic range of the sound source, en-route to the recording medium. From the silence of the noise floor to the onset of clipping, the Drawmer 1962 provides an input dynamic range of more than 133dB, eclipsing the performance of othe...